Monday, 16 February 2015

OUGD 406 Secret 7 - Adobe experiments

When working on the secret 7 design, I decided to change my design a little to make it look more 'confusing', this idea came to my head when watching the video and hearing the lyrics several times (During our first lesson on this brief, we experimented by listening to the songs and changing the ways we felt, the things we heard and saw. We first drew without taking the pen off the paper, then exchanged it 2 o 3 times with other people in the room. We then moved to drawing with our right hand and exchanging it. We then drew by making shapes such as triangles, squares and circles. We also tried drawing lines in partners; this was the funnest part of the task because we all worked in groups and had a laugh looking at our partners realizing their feelings on the paper while we were holding it for them.
I decided to represent the idea of repetition and tried a few different designs before reaching my final outcome.
Once I had decided what final design I was going to use as my outcome, I scanned it in to the computer and began to experiment on adobe different effects that could make my work look smoother and more intense.











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Thursday, 12 February 2015

book binding - -OUGD404


Bookbinding is the process of physically assembling a book from a number of folded or unfolded sheets of paper or other material. It usually involves attaching a book cover to the resulting text-block.

The craft of bookbinding probably originated in India, where religious sutras were copied on to palm leaves (cut into two, lengthwise) with a metal stylus. The leaf was then dried and rubbed with ink, which would form a stain in the wound. The finished leaves were given numbers, and two long twines were threaded through each end through wooden boards, making a palm-leaf book. When the book was closed, the excess twine would be wrapped around the boards to protect the manuscript leaves. Buddhist monks took the idea through Persia, Afghanistan, and Iran, to China in the first century BC.

Methods:

Case binding is the most common type of hardcover binding for books. The pages are arranged in signatures and glued together into a "text block." The text block is then attached to the cover or "case" which is made of cardboard covered with paper, cloth, vinyl or leather. This is also known as cloth binding, or edition binding.

Over sewing, where the signatures of the book start off as loose pages, which are then clamped together. Small vertical holes are punched through the far left-hand edge of each signature, and then the signatures are sewn together with lock stitches to form the text block. Over sewing is a very strong method of binding and can be done on books up to five inches thick. However, the margins of over sewn books are reduced and the pages will not lie flat when opened.

Sewing through the fold (also called Smyth Sewing), where the signatures of the book are folded and stitched through the fold. The signatures are then sewn and glued together at the spine to form a text block. In contrast to over sewing, through-the-fold books have wide margins and can open completely flat. Many varieties of sewing stitches exist, from basic links to the often-used Kettle Stitch. While Western books are generally sewn through punched holes or sawed notches along the fold, some Asian bindings, such as the Retchoso or Butterfly Stitch of Japan, use small slits instead of punched holes.

Double-fan adhesive binding starts off with two signatures of loose pages, which are run over a roller—"fanning" the pages—to apply a thin layer of glue to each page edge. Then the two signatures are perfectly aligned to form a text block, and glue edges of the text block are attached to a piece of cloth lining to form the spine. Double-fan adhesive bound books can open completely flat and have a wide margin. However, certain types of paper do not hold adhesive well, and, with wear and tear, the pages can come loose.

Double wire, twin loop, or Wire-Obinding is a type of binding that is used for books that will be viewed or read in an office or home type environment. The binding involves the use of a "C" shaped wire spine that is squeezed into a round shape using a wire-closing device. Double wire binding allows books to have smooth crossover and is affordable in many colors. This binding is great for annual reports, owner’s manuals and software manuals. Wire bound books are made of individual sheets, each punched with a line of round or square holes on the binding edge. This type of binding uses either a 3:1 pitch hole pattern with three holes per inch or a 2:1 pitch hole pattern with two holes per inch. The three to one hole pattern is used for smaller books that are up to 9/16" in diameter while the 2:1 pattern is normally used for thicker books as the holes are slightly bigger to accommodate slightly thicker, stronger wire. Once punched, the back cover is then placed on to the front cover ready for the wire binding elements (double loop wire) to be inserted. The wire is then placed through the holes. The next step involves the binder holding the book by its pages and inserting the wire into a "closer" which is basically a vise that crimps the wire closed and into its round shape. The back page can then be turned back to its correct position, thus hiding the spine of the book.

Comb binding uses a 9/16" pitch rectangular hole pattern punched near the bound edge. A curled plastic "comb" is fed through the slits to hold the sheets together. Comb binding allows a book to be disassembled and reassembled by hand without damage. Comb supplies are typically available in a wide range of colors and diameters. The supplies themselves can be re-used or recycled. In the United States, comb binding is often referred to as 19-ring binding because it uses a total of 19 holes along the 11-inch side of a sheet of paper.

VeloBind is used to permanently rivet pages together using a plastic strip on the front and back of the document. Sheets for the document are punched with a line of holes near the bound edge. A series of pins attached to a plastic strip called a Comb feeds through the holes to the other side and then goes through another plastic strip called the receiving strip. The excess portion of the pins is cut off and the plastic heat-sealed to create a relatively flat bind method. VeloBind provides a more permanent bind than comb binding, but is primarily used for business and legal presentations and small publications.

Spiral binding is the most economical form of mechanical binding when using plastic or metal. It is commonly used for atlases and other publications where it is necessary or desirable to be able to open the publication back on itself without breaking the spine. There are several types but basically it is made by punching holes along the entire length of the spine of the page and winding a wire helix (like a spring) through the holes to provide a fully flexible hinge at the spine. Spiral coil binding uses a number of different hole patterns for binding documents. The most common hole pattern used with this style is 4:1 pitch (4 holes per inch). However, spiral coil spines are also available for use with 3:1 pitch, 5:1 pitch and 0.400-hole patterns.

Proclick (GBC) is a relatively new binding style that was originally designed for use with a 3:1 pitch wire binding hole pattern. This type of binding uses an element that snaps shut and can be easily opened for editing purposes. The editing abilities of this style make it popular with direct sales organizations and mobile offices. Proclick is manufactured exclusively by the General Binding Corporation.

ZipBind is also manufactured by the General Binding Corporation and offers easy editing. However, the binding spines for this style are designed to work with the 9/16" plastic comb binding hole pattern. Like Proclick, Zipbind spines can easily be opened and closed without the need for a binding machine. Thus the addition and deletion of pages is a simple process provided that the pages have already been punched.

Some of the different types of thermally activated binding include:

Perfect binding is often used, and gives a result similar to paperback books. National Geographic is one example of this type. Paperback or soft cover books are also normally bound using perfect binding. They usually consist of various sections with a cover made from heavier paper, glued together at the spine with a strong glue. The sections are milled in the back and notches are applied into the spine to allow hot glue to penetrate into the spine of the book. The other three sides are then face trimmed. This is what allows the magazine or paperback book to be opened. Mass market paperbacks (pulp paperbacks) are small (16mo size), cheaply made with each sheet fully cut and glued at the spine; these are likely to fall apart or lose sheets after much handling or several years. Trade paperbacks are more sturdily made, with traditional gatherings or sections of bifolios, usually larger, and more expensive. The difference between the two can usually easily be seen by looking for the sections in the top or bottom sides of the book.

Thermal binding uses a one piece cover with glue down the spine to quickly and easily bind documents without the need for punching. Individuals usually purchase "thermal covers" or "therm-a-bind covers" which are usually made to fit a standard size sheet of paper and come with a glue channel down the spine. The paper is placed in the cover, heated in a machine (basically a griddle), and when the glue cools, it adheres the paper to the spine. Thermal glue strips can also be purchased separately for individuals that wish to use customized/original covers. However, creating documents using thermal binding glue strips can be a tedious process which requires a scoring device and a large format printer.

A cardboard article looks like a hardbound book at first sight, but it is really a paperback with hard covers. Many books that are sold as hardcover are actually of this type. The Modern Library series is an example. This type of document is usually bound with thermal adhesive glue using a perfect binding machine.

Tape binding refers to a system that wraps and glues a piece of tape around the base of the document. A tape binding machine such as the Powis Parker Fastback or Standard Accubind system will usually be used to complete the binding process and to activate the thermal adhesive on the glue strip. However, some users also refer to Tape Binding as the process of adding a colored tape to the edge of a mechanically fastened (stapled or stitched) document.

Unibind is a variety of thermal binding that uses a special steel channel with resin rather than glue inside of it to give it a sturdier bind to hold the pages in place. Unibind can be used to bind soft covered documents with a look that is similar to perfect binding. It can also be used for binding hardcover books and photo books. Like Thermal Binding, unibind usually requires you to purchase a one piece coverset to bind your documents. However, Unibind also offers SteelBack spines that allow you to use your own covers in the binding process. The majority of Unibinds covers can be printed on as well to give documents a unique finish. (Unibind is also the name of an International binding company)











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OUGD 406 - Studio Brief 02 - Study Task 03 - Type Setting





The Mouse's Tale
by Lewis Carroll
"mine is a long and a sad tale!", turning to Alice, 
and sighing. "it is a long tail, certainly," said Alice, looking
down with wonder at the Mouse's tail; "but why do you call it sad?"
And she kept on puzzling about  it while the Mouse was speaking, so
that her idea of the tale was something like this:-
Fury said to a mouse, that he met in the house,
"Let us both go to law: I will prosecute you,!
Come, I'll take no denial, 
We must have a trial,
For really this morning I've nothing to do,
Said the mouse to the cur,
"Such a trial, dear sir,
With no jury or judge,
Would be wasting our breath."
"I'll be judge, I'll be jury"
Said cunning old Fury;
"I'll try the whole cause, and condemn you to DEATH."

monoprinting

Monoprinting is a form of printmaking that has images or lines that can only be made once, unlike most printmaking, where there are multiple originals. There are many techniques of monoprinting. Examples of standard printmaking techniques which can be used to make monoprints include lithography, woodcut, and etching.

A monoprint is a single impression of an image made from a reprintable block. Materials such as metal plates, litho stones or wood blocks are used for etching upon. Rather than printing multiple copies of a single image, only one impression may be produced, either by painting or making a collage on the block. Etching plates may also be inked in a way that is expressive and unique in the strict sense, in that the image cannot be reproduced exactly.[1] Monoprints may also involve elements that change, where the artist reworks the image in between impressions or after printing so that no two prints are absolutely identical.[2] Monoprints may include collage, hand-painted additions, and a form of tracing by which thick ink is laid down on a table, paper is placed on top and is then drawn on, transferring the ink onto the paper. Monoprints can also be made by altering the type, color, and pressure of the ink used to create different prints.
Monoprints are known as the most painterly method among the printmaking techniques; it is essentially a printed painting.[3] The characteristic of this method is that no two prints are alike. The beauty of this medium is also in its spontaneity and its combination of printmaking, painting and drawing media.

Monoprinting and monotyping are very similar. The difference between monoprinting and monotype printing is that monoprinting has a matrix that can be reused, but not to produce an identical result. With monotyping there are no permanent marks on the matrix, and at most two impressions (copies) can be obtained. Both involve the transfer of ink from a plate to the paper, canvas, or other surface that will ultimately hold the work of art. In the case of monotyping the plate is a featureless plate. It contains no features that will impart any definition to successive prints. The most common feature would be the etched or engraved line on a metal plate. In the absence of any permanent features on the surface of the plate, all articulation of imagery is dependent on one unique inking, resulting in one unique print. Monoprints, on the other hand, are the results of plates that have permanent features on them. Monoprints can be thought of as variations on a theme, with the theme resulting from some permanent features being found on the plate – lines, textures – that persist from print to print. Variations are confined to those resulting from how the plate is inked prior to each print. The variations are endless, but certain permanent features on the plate will tend to persist from one print to the next.
Monoprinting has been used by many artists, among them Georg Baselitz and Tracey Emin. Some old master prints, like etchings by Rembrandt with individual manipulation of ink as "surface tone", or hand-painted etchings by Degas (usually called monotypes) might be classifiable as monoprints, but they are rarely so described.